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Home: S : Scott
Krippayne : Biography
Biography (courtesy
of Spring Hill Music)
Forget what your Mom said about playing with matches. You're
not seven anymore. Strike that match, watch the flame consume
the head and dare to wait as it moves, insistently, toward
your thumb and forefinger. Sure, you could get burned. But
playing it safe is not always best. Without risk, you never
fully discover who you are—who you can be.
For Scott Krippayne, a respected, accomplished singer/songwriter,
the days of playing it safe are over. After nine years in
pursuit of his dream, with five albums and plenty of radio
and critical success to mark the path, Scott threw away the
rulebook. He and his wife, Katy, moved back home to Seattle,
to reestablish their roots before their kids start school.
There, Scott jumped off the 'people pleaser' bus. He started
running with scissors, talking to strangers, base-jumping
from tall buildings and touching breakable things in department
stores. *
And perhaps the biggest risk of all,
Scott Krippayne began playing with fire. The result—like an intricate crystal
forged repeatedly in a fierce furnace—his 6th album
Gentle Revolution shocks and surprises in its intensity,
clarity and depth.
"When I began thinking about this album," Scott
says, "I remember saying 'I really want to take some
risks, to build a new box.' I just wanted to be true to my
creative instincts, to my own heart, my own mind."
With Gentle Revolution, Scott and producer
Kent Hooper explored larger musical territory, inspired
by the innovation of bands like Switchfoot, Maroon 5 and
pop icons like Sting and Billy Joel. You can still hear
the piano-driven pop sound Scott Krippayne has become known
for, but the polished pop edge has been burned away, leaving
behind a barrage of aggressive guitars fused with an authentic
'live' rock feel. "We
operated with a 'no rules, just right' philosophy," Scott
says of the musical approach. "We wanted it to be as
true musically as it is lyrically, so we agreed to let our
mistakes guide us."
Also guiding Scott was the desire to write new songs that
reflect his own spiritual journey of the last few years,
to be transparent, even at the risk of being not-so-radio
friendly.
"The idea behind Gentle Revolution is change," Scott
says. "Any revolution means change, and we associate
that idea with overthrow, and yet Jesus brought a gentle
revolution into the lives of everyone he met. He touched
them. He listened to their stories and gave them the truth….
With some of the songs on this album, there's a risk of misunderstanding.
People can read a lot into it, if they want. But it's the
most honest I've ever been. I'm convicted by these songs
every time I sing them…"
From the pounding opener of the title
track, which reveals the heart of the album, listeners
will hear an urgent relevance in each of the 10 songs—each
one about living true to Jesus' words in an ever-changing
world.
A riveting picture of the real world, "I Am Jesus," the
most aggressive song on Gentle Revolution, speaks to Jesus'
words in Matthew 25:45: "Whatever you did not do for
one of the least of these, you did not do for me." An
inescapable message for our times. "Something Different," the
most musically distinctive song on the album, dares to explore
the truth that living like Jesus is not the safest way to
live: I can't ignore injustice and the tragic human cost
Love should make me radical worldly incompatible…
"In the Name of God," a powerful
ballad co-written with Regie Hamm (whose work has been
recorded by Kenny Loggins, Bob Carlisle and many others),
is the timeliest song on the album. A song ripe for misinterpretation.
Grand inquisitions great Holy Wars Crusade and conquer Slaughter
the Moors Fighting, fighting All in the Name of God
"We didn't set out to make a political statement," Scott
says. "It's a difficult song, but the message is very
important. And I didn't want to not say it just because I
didn't want to take any flak for it. … I'm not a pacifist,
and I've got friends in Iraq, and yet when I search scriptures
and when I look at the life of Jesus, I just don't see that
he was about war. We live in a different world, one that
will unfortunately involve war, and I will always support
those we send…. This song simply admits that 'we mess
it up more than we get it right,' and yet there's hope here
because God is merciful."
"Renée," a pensive poem-of-a-song that
began in a Starbucks in Los Angeles after a brief encounter
with actress Renée Zellweger, is Scott's attempt to
explore the reality behind the myth of fame. "I just
started thinking about what life must really be like for
her," Scott muses. "She's got to have struggles,
and you know at some point she's got to just want to go home
and be herself…" If you listen carefully, you'll
hear the acoustic piano squeak along, echoing the humanity
behind such a glamorous life.
Other songs like Scott's confessional
litany in "Lyin," the
energetic wake-up call of "Alive Again" and the "blazing
beauty" of "Shadow On The Sun," punctuate
Gentle Revolution's more convicting moments with jolts of
encouragement and strength for this journey we call life.
Which in itself, Scott says, should center on Jesus' revolutionary
way of life.
"If I've learned anything over the past year or two,
it's that I've got a long way to go to really make a difference,
to be a true follower of Jesus. That's where I've been living
lately, trying to sort out what's really important in life
and how to represent Christ in the world. … I can't
pretend to know how or if these songs will impact people,
but my hope is that God's Spirit will reveal what he will
to those who will hear."
*Only some of which is true.
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